Are
Are

Are

Very
Very

Very

First Time
First Time

First Time

Your
Your

Your

When Your
When Your

When Your

The
The

The

Open The Door
Open The Door

Open The Door

Negativity
Negativity

Negativity

The Door
The Door

The Door

But
But

But

🔥 | Latest

Tries: Then Media Tries to Frame the Protestors as Thugs
Tries: Then Media Tries to Frame the Protestors as Thugs

Then Media Tries to Frame the Protestors as Thugs

Tries: Praying somebody tries them
Tries: Praying somebody tries them

Praying somebody tries them

Tries: “He sharpens the beak and tries to intimidate me with his stride” (Source)
Tries: “He sharpens the beak and tries to intimidate me with his stride” (Source)

“He sharpens the beak and tries to intimidate me with his stride” (Source)

Tries: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
Tries: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

Tries: thesassyducks: Doggo tries to play with duck (more ducks here)via @loulouminidachshund
Tries: thesassyducks:

Doggo tries to play with duck (more ducks here)via @loulouminidachshund

thesassyducks: Doggo tries to play with duck (more ducks here)via @loulouminidachshund

Tries: If this happens to me I hope my future partner tries/cares this much too.
Tries: If this happens to me I hope my future partner tries/cares this much too.

If this happens to me I hope my future partner tries/cares this much too.

Tries: If this happens to me I hope my future partner tries/cares this much too.
Tries: If this happens to me I hope my future partner tries/cares this much too.

If this happens to me I hope my future partner tries/cares this much too.

Tries: bunjywunjy: lostinhistory: bidet-of-evil: officialukulele: nogoawayok: penguinsstealingsanity: that-ships-hellabig: phanfruit: krakkenchaos: swindontownswoodilypooper: petrovasinspace: f-i-v-e-byfive: thesixtysevenchevyimpala: ilovecountryeverything: titaniumbovine: peaceroxi: steveisoncrack: HEY TUMBLR, LET’S PLAY A GAME To play this game, go to MapCrunch, select “hide location”, make sure you have all countries unselected, and click go. What this will do is drop you in a random part of the world. It’s as if you woke up on the side of a road in an unfamiliar country. The goal of the game is to find your way to an airport so you can return home.  Bonus Hard Mode: No using outside sources, and that includes using google maps to figure out your location from signs or landmarks …I had plans today but now. THE AIRPORT GAME IS BACK. FUCK THIS GAME LAST TIME I PLAYED IT DUMPED ME IN THE MOUNTAINS OF NORWAY I PLAYED FOR LIKE 8 HOURS BEFORE BREAKING DOWN CRYING OMG NO STOP THIS GAME IS MY LIFE!!! IT’S BACK WHY IS THIS BACK WHYYYYY oh shit I HAVEN’T USED THIS GIF SINCE FEBRUARY Always reblog Mapcrunch when someone tries to bring it back it dropped me in a fucking room full of pandas Ohmygod It once dropped my in my home town a few km’s from the airport XD i think this is gonna be a problem i feel threatened also why is one of the cows blurred out who is she  I’m trapped in a bathroom and i have no reflection I am on a dock by a bay the last time I played this, it dumped me in the middle of a desert and when I turned the camera around it was literally standing next to the runway of an air force base
Tries: bunjywunjy:
lostinhistory:

bidet-of-evil:

officialukulele:


nogoawayok:

penguinsstealingsanity:


that-ships-hellabig:


phanfruit:


krakkenchaos:

swindontownswoodilypooper:

petrovasinspace:

f-i-v-e-byfive:

thesixtysevenchevyimpala:

ilovecountryeverything:

titaniumbovine:

peaceroxi:

steveisoncrack:


HEY TUMBLR, LET’S PLAY A GAME
To play this game, go to MapCrunch, select “hide location”, make sure you have all countries unselected, and click go. What this will do is drop you in a random part of the world. It’s as if you woke up on the side of a road in an unfamiliar country. The goal of the game is to find your way to an airport so you can return home. 
Bonus Hard Mode: No using outside sources, and that includes using google maps to figure out your location from signs or landmarks

…I had plans today but now.

THE AIRPORT GAME IS BACK.

FUCK THIS GAME
LAST TIME I PLAYED IT DUMPED ME IN THE MOUNTAINS OF NORWAY
I PLAYED FOR LIKE 8 HOURS BEFORE BREAKING DOWN CRYING

OMG NO STOP THIS GAME IS MY LIFE!!!

IT’S BACK

WHY IS THIS BACK

WHYYYYY

oh shit

I HAVEN’T USED THIS GIF SINCE FEBRUARY


Always reblog Mapcrunch when someone tries to bring it back

it dropped me in a fucking room full of pandas


Ohmygod


It once dropped my in my home town a few km’s from the airport XD


i think this is gonna be a problem

i feel threatened also why is one of the cows blurred out who is she 


I’m trapped in a bathroom and i have no reflection 

I am on a dock by a bay



the last time I played this, it dumped me in the middle of a desert and when I turned the camera around it was literally standing next to the runway of an air force base

bunjywunjy: lostinhistory: bidet-of-evil: officialukulele: nogoawayok: penguinsstealingsanity: that-ships-hellabig: phanfruit:...

Tries: Any time the wife tries to compliment me.
Tries: Any time the wife tries to compliment me.

Any time the wife tries to compliment me.

Tries: Her bio said to guess her favorite animal in 5 tries, and I got it right on my first.
Tries: Her bio said to guess her favorite animal in 5 tries, and I got it right on my first.

Her bio said to guess her favorite animal in 5 tries, and I got it right on my first.

Tries: lunamariaproject: squidplatoon: When your mom is catholic and tries to be hip Powerful
Tries: lunamariaproject:

squidplatoon:

When your mom is catholic and tries to be hip


Powerful

lunamariaproject: squidplatoon: When your mom is catholic and tries to be hip Powerful

Tries: just-a-little-anxious: warriorsofficial: asleepinawell: operahousebookworm: robynspreciousnest: fandersunite: its-eggo: astral-ghoul: ninapop45: deceit-the-snakey-snake: plaid-n-converse: cherrysconeslut: pawsofponies: garecc: inthishousewekinkshamefnaf: inthishousewekinkshamefnaf: buggykin: inthishousewekinkshamefnaf: inthishousewekinkshamefnaf: biggest-goofiest-fish: desertdaylight: kait-the-kitty: chiribomb: politicalcompassmemes: your-uncle-dave: maps-and-elvis-and-zelda-n-shit: japhers: jewishzevran: animatedamerican: pagesofkenna: mommacomms: fidefortitude: bl00dlikeice: elphabaforpresidentofgallifrey: plaid-n-converse: memeception WE’VE HIT TERMINAL MEME @caesarianconfection I’ve said “I hate this” so many times on this website, and never actually meant it, because “I hate this” is just shorthand for ‘this is an example of a meme given a twist I wasn’t expecting with intent to surprise’. Which is, in of itself, a meme on this site. God damn it. But this… This is something else. The rapidity of a meme’s introduction to its zenith to its decline is so rapid that in ten years, you’ll need a damn twenty-page manual to explain this. It’ll be as unfunny and hard to explain as jokes in Shakespeare plays, except even more inexplicable because fuck, at least Shakespeare’s jokes are usually about anal or fucking your mother, good wholesome sex jokes we can all get behind. For the love of fuck, how do you explain loss.jpg? How do you explain gun? ….I THOUGHT THIS WAS A YMCA REFERENCE it is a YMCA reference - that’s one of the 6 memes being represented here ok let me see if i can break this down easily. YMCA is the easiest place to start - the song itself has become a meme over time with people changing the lyrics to reference other pop cultural events. so YMCA is meme one (1) this first lyric replacement (”take the breadsticks and run”) is a reference to the tumblr meme ‘stuffing breadsticks into my purse’. i think everyone remembers that one so i wont bother to explain it. that’s meme two (2) “man door hand hook car door” is a meme of its own, a creepypasta from i dont remember when. it was a terrible stupid retelling of the generic ‘stuck in a car while hook handed man tries to kill us’ story so the stupid title caught on for memorability. that in and of itself is meme three (3) ‘gun’ is… yeah i dont know how to explain gun. long story short you add gun to the end of a phrase instead of what you expect the last word to be. its shock funny. its everywhere but its popular to add to “man door hand hook car door” for.. some reason? gun is meme four (4) and the thing is, this four meme combo is something thats gone around before. meme combos are, itself, a meme. which means taking this meme combo and mixing in another meme actually becomes meme five (5) which leaves us at loss.jpg. loss.jpg was a terrible bad comic supposed to be about some tragic event, but it was presented so poorly literally no one takes it seriously, and for some reason recreating the four-panel setup has become popular. so thats meme six (6) (but i need to add that this is the greatest version of loss.jpg i think i’ve ever seen. the initial ‘young man’ lines up with the guy bursting through the door, and the shock meme ‘gun’ matches the shock scene of the woman in the hospital and idk if OP even thought about that but it makes this just so much better) I wasn’t going to reblog this, but @pagesofkenna‘s comprehensive meme-by-meme annotation is a thing of beauty and should be shared. average tumblr post contains one meme, this post, which contains six, is an outlier and should not be counted it might also just be a coincidence due to loss.jpg’s format but the whole white minimalist four-panel setup is also suspiciously reminiscent of those early 2000’s rage comics I was getting a political compass vibe too tag urself im man door hand hook car gun This works better than I thought it would. This was in my senior project I’m not sorry. EIGHT MEME COMBO FATALITY We have officially created a new language  I just had to do it to em THIS FUCKING THREAD I’M GONNA CRY I LOST IT AND MAN DOOR HAND HOOK CAR GUN AND DIDN’T EXPECT MORE I’M SOBBING M E M E T E N OwO? W o w You know I had to I hope you know this is the most cursed addition to my post, and I love it THIRTEEN!? SOMEONE EDIT THIS FROM THE ORIGINAL PHOTO SAYING “this one does not spark joy” TO THIS VERSION SAYING “this one sparks joy” well i added my contribution : ) why— IM SCREAMING This is the most elaborate meme I have ever seen and damn am I concerned by how it makes sense. “You’re in your 30s, but you still understand all this meme stuff?”“Oh yeah, sure.”“Can you explain it to me?”“I absolutely fucking cannot.” can you believe they couldn’t even get $3 million for this website yes. I’m sorry, but I had to
Tries: just-a-little-anxious:

warriorsofficial:

asleepinawell:
operahousebookworm:

robynspreciousnest:

fandersunite:

its-eggo:


astral-ghoul:


ninapop45:


deceit-the-snakey-snake:

plaid-n-converse:

cherrysconeslut:


pawsofponies:


garecc:

inthishousewekinkshamefnaf:


inthishousewekinkshamefnaf:

buggykin:

inthishousewekinkshamefnaf:


inthishousewekinkshamefnaf:

biggest-goofiest-fish:

desertdaylight:


kait-the-kitty:

chiribomb:

politicalcompassmemes:

your-uncle-dave:

maps-and-elvis-and-zelda-n-shit:

japhers:

jewishzevran:

animatedamerican:

pagesofkenna:

mommacomms:

fidefortitude:

bl00dlikeice:

elphabaforpresidentofgallifrey:

plaid-n-converse:

memeception

WE’VE HIT TERMINAL MEME

@caesarianconfection

I’ve said “I hate this” so many times on this website, and never actually meant it, because “I hate this” is just shorthand for ‘this is an example of a meme given a twist I wasn’t expecting with intent to surprise’. Which is, in of itself, a meme on this site. God damn it.
But this… This is something else.
The rapidity of a meme’s introduction to its zenith to its decline is so rapid that in ten years, you’ll need a damn twenty-page manual to explain this. It’ll be as unfunny and hard to explain as jokes in Shakespeare plays, except even more inexplicable because fuck, at least Shakespeare’s jokes are usually about anal or fucking your mother, good wholesome sex jokes we can all get behind.
For the love of fuck, how do you explain loss.jpg? How do you explain gun?

….I THOUGHT THIS WAS A YMCA REFERENCE

it is a YMCA reference - that’s one of the 6 memes being represented here
ok let me see if i can break this down easily. YMCA is the easiest place to start - the song itself has become a meme over time with people changing the lyrics to reference other pop cultural events. so YMCA is meme one (1)
this first lyric replacement (”take the breadsticks and run”) is a reference to the tumblr meme ‘stuffing breadsticks into my purse’. i think everyone remembers that one so i wont bother to explain it. that’s meme two (2)
“man door hand hook car door” is a meme of its own, a creepypasta from i dont remember when. it was a terrible stupid retelling of the generic ‘stuck in a car while hook handed man tries to kill us’ story so the stupid title caught on for memorability. that in and of itself is meme three (3)
‘gun’ is… yeah i dont know how to explain gun. long story short you add gun to the end of a phrase instead of what you expect the last word to be. its shock funny. its everywhere but its popular to add to “man door hand hook car door” for.. some reason? gun is meme four (4)
and the thing is, this four meme combo is something thats gone around before. meme combos are, itself, a meme. which means taking this meme combo and mixing in another meme actually becomes meme five (5)
which leaves us at loss.jpg. loss.jpg was a terrible bad comic supposed to be about some tragic event, but it was presented so poorly literally no one takes it seriously, and for some reason recreating the four-panel setup has become popular. so thats meme six (6)
(but i need to add that this is the greatest version of loss.jpg i think i’ve ever seen. the initial ‘young man’ lines up with the guy bursting through the door, and the shock meme ‘gun’ matches the shock scene of the woman in the hospital and idk if OP even thought about that but it makes this just so much better)

I wasn’t going to reblog this, but @pagesofkenna‘s comprehensive meme-by-meme annotation is a thing of beauty and should be shared.

average tumblr post contains one meme, this post, which contains six, is an outlier and should not be counted

it might also just be a coincidence due to loss.jpg’s format but the whole white minimalist four-panel setup is also suspiciously reminiscent of those early 2000’s rage comics

I was getting a political compass vibe too

tag urself im man door hand hook car gun


This works better than I thought it would. 


This was in my senior project 

I’m not sorry.

EIGHT MEME COMBO


FATALITY

We have officially created a new language 

I just had to do it to em


THIS FUCKING THREAD I’M GONNA CRY
I LOST IT AND MAN DOOR HAND HOOK CAR GUN AND DIDN’T EXPECT MORE I’M SOBBING

M E M E T E N

OwO?




W o w


You know I had to 


I hope you know this is the most cursed addition to my post, and I love it


THIRTEEN!?


SOMEONE EDIT THIS FROM THE ORIGINAL PHOTO SAYING “this one does not spark joy” TO THIS VERSION SAYING “this one sparks joy”




well i added my contribution : )
why—


IM SCREAMING


This is the most elaborate meme I have ever seen and damn am I concerned by how it makes sense. 

“You’re in your 30s, but you still understand all this meme stuff?”“Oh yeah, sure.”“Can you explain it to me?”“I absolutely fucking cannot.”


can you believe they couldn’t even get $3 million for this website

yes.

I’m sorry, but I had to

just-a-little-anxious: warriorsofficial: asleepinawell: operahousebookworm: robynspreciousnest: fandersunite: its-eggo: astral-gho...

Tries: Wow this level is so hard it took me 5000 tries to complete
Tries: Wow this level is so hard it took me 5000 tries to complete

Wow this level is so hard it took me 5000 tries to complete

Tries: chrispalmermusic: Me: *tries to play for my crush and end up failing every single note* my crush:
Tries: chrispalmermusic:

Me: *tries to play for my crush and end up failing every single note* my crush:

chrispalmermusic: Me: *tries to play for my crush and end up failing every single note* my crush:

Tries: Dog Tries to Catch Passing Cars
Tries: Dog Tries to Catch Passing Cars

Dog Tries to Catch Passing Cars

Tries: also grown up me when my partner tries this…
Tries: also grown up me when my partner tries this…

also grown up me when my partner tries this…

Tries: also grown up me when my partner tries this…
Tries: also grown up me when my partner tries this…

also grown up me when my partner tries this…

Tries: TOP DEFINITION C++ A programming language for Real Men. Most languages try to provide a simplified way to solve specific problems well. C++ makes no such concession and tries to be mediocre at everything. It lets you program at a very high level, and a very low level in the same program. It lets you write procedural code, object oriented code, generic code and mix them all up. It makes you decide everything and provides no help if you get it wrong. It is by far the biggest, most complicated, ugly, down-right dangerous language you can use. But it does run fast. It takes at least twice as long to program in C++ as any other major language (except C). The men who program in C++are Real Men. The women who program in C++ are Real Men too. You can spot a C++ programmer from their testosterone fueled swagger, and the unbelievable amount of contempt they inject into the phrase Java "programmer". They'll probably do the air quotes and all. Dev: 'Hey, Reg, you know C++ right? What does: "\src\Cont.cpp(52): error C2679: binary '=': no operator found which takes a right- hand operand of type 'int' (or there is no acceptable conversion) C:\Program Files\Microsoft Visual Studio 8\VC\include\vector(392): could be 'std:_Vector_iterator<_Ty, _Alloc> &std::_Vector_iterator<_Ty, _Alloc>::operator = (const std:_Vector_iterator<_Ty, _Alloc> &)' with_Ty=Main::Cont, _Alloc=std:allocator<Main::Cont> while trying to match the argument list "(std:_Vector_iterator<_Ty, _Alloc>, int)' with_Ty=Main::Cont, Alloc=std::allocator<Main::Cont> "mean?' Reg: 'You missed a semicolon at the end of the line. The best response to what is c++
Tries: TOP DEFINITION
 C++
 A programming language for Real Men. Most languages try to provide a simplified
 way to solve specific problems well. C++ makes no such concession and tries to be
 mediocre at everything. It lets you program at a very high level, and a very low level
 in the same program. It lets you write procedural code, object oriented code,
 generic code and mix them all up. It makes you decide everything and provides no
 help if you get it wrong.
 It is by far the biggest, most complicated, ugly, down-right dangerous language you
 can use. But it does run fast. It takes at least twice as long to program in C++ as any
 other major language (except C).
 The men who program in C++are Real Men. The women who program in C++ are
 Real Men too. You can spot a C++ programmer from their testosterone fueled
 swagger, and the unbelievable amount of contempt they inject into the phrase Java
 "programmer". They'll probably do the air quotes and all.
 Dev: 'Hey, Reg, you know C++ right? What does:
 "\src\Cont.cpp(52): error C2679: binary '=': no operator found which takes a right-
 hand operand of type 'int' (or there is no acceptable conversion)
 C:\Program Files\Microsoft Visual Studio 8\VC\include\vector(392): could be
 'std:_Vector_iterator<_Ty, _Alloc> &std::_Vector_iterator<_Ty, _Alloc>::operator =
 (const std:_Vector_iterator<_Ty, _Alloc> &)' with_Ty=Main::Cont,
 _Alloc=std:allocator<Main::Cont> while trying to match the argument list
 "(std:_Vector_iterator<_Ty, _Alloc>, int)' with_Ty=Main::Cont,
 Alloc=std::allocator<Main::Cont> "mean?'
 Reg: 'You missed a semicolon at the end of the line.
The best response to what is c++

The best response to what is c++