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industrious

industrious

their
their

their

motto
motto

motto

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except

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Charlie, Petty, and Saw: HERE YOu GO,KID. .ALL CASH, AS PROMISED eleva GOOD. TRY SOㅆ OTHER SHOWS AN, 'LL CONTACT you DuURING THE WEEK. STOP THAT Guy! 囧 KREECH STOP HIM! DON'T LET HIM GET TO THE ELEVATOR! WHATEVER THANKS YOu ONE! WHAT THE HELL IS WRONG AND YET 工DİDN'T MAGINE THAT 工NEVER SAW YOu OR ANYONE HAVE STOPPED HIM AT LEAST, SLOWED HIM DOWN NEEDED YOu THESE LAST FEW YEARS SO DON'T BLAME ㅆE FOR RETURNING THE FAVOR 5 6622 嶝 レISTEN, SON YOU'RE GOING TO NEED TO SIT DOWN FOR A ㅆㅇㅆENT. THIS IS GOING TO BE A SHOCK TO YOU YOUR AUNT'S OKAY SHE'S WITH THE NEIGHBORS RIGHT NOW WHAT'S GOING ON引 MAY? WHAT'S HAPPENING2 TELL ㅆ티 IT'S YOUR 凵NCLE BEN, THERE'S BEEN AN INCIDENT THERE'S NO EASY WAY TO SAY THIS SON YOUR UNCLE TRIED THERE WAS A LOT OF TO STOP THE CASH LYING AROUNDGuY AND HE AFRAID YOUR UNCLE DIDN'T MAKE IT GOT SHOT BROKE IN. IS HE IS HE OKAY TEN CHARLIE-SEVEN... OVER THIS IS TEN-CHARLIE SEVEN. OVER WE HAVE A POSSIBLE SIGHTING ON YOUR SUSPECT: WHITE ㅆALE, LATE THIRTIES BLOND HAIR AND RED JACKET. SUSPICIOUS ㅆALE SEEN ENTERING ACㅆ WAREHOUSE ON PARLOR STREET, OVER. traincat: “What the hell is wrong with you? You could have stopped him… at least, slowed him down.”“And yet I didn’t. Imagine that.” Mythos: Spider-Man I know everyone is tired of seeing the origin on film in reboots, but the origin is important. One moment of I honestly don’t even think you can call it selfishness! One moment of apathy! One moment of not doing good because if you have the power to do good it is your responsibility to do it! And this is what happens! One moment! No high tech suits, no craving approval from authority figures. One moment in a back hall or a parking garage or a convenience store. One stupid petty vindictive moment that felt GOOD. That felt BETTER than helping. That’s what it boils down to. Spider-Man is about the opposite of rewards.
nsfw
Charlie, Petty, and Saw: HERE YOu
 GO,KID. .ALL
 CASH, AS
 PROMISED
 eleva
 GOOD. TRY
 SOㅆ OTHER SHOWS
 AN, 'LL CONTACT
 you DuURING
 THE WEEK.

 STOP
 THAT
 Guy!
 囧
 KREECH
 STOP HIM!
 DON'T LET HIM
 GET TO THE
 ELEVATOR!
 WHATEVER
 THANKS
 YOu ONE!
 WHAT THE
 HELL IS WRONG
 AND YET
 工DİDN'T
 MAGINE
 THAT
 工NEVER SAW YOu OR ANYONE
 HAVE STOPPED HIM
 AT LEAST, SLOWED
 HIM DOWN
 NEEDED YOu THESE LAST
 FEW YEARS
 SO DON'T
 BLAME ㅆE FOR
 RETURNING THE
 FAVOR
 5
 6622
 嶝

 レISTEN, SON
 YOU'RE GOING TO
 NEED TO SIT DOWN
 FOR A ㅆㅇㅆENT.
 THIS IS GOING
 TO BE A SHOCK
 TO YOU
 YOUR
 AUNT'S OKAY
 SHE'S WITH
 THE NEIGHBORS
 RIGHT NOW
 WHAT'S
 GOING ON引
 MAY?
 WHAT'S
 HAPPENING2
 TELL ㅆ티
 IT'S YOUR
 凵NCLE BEN, THERE'S
 BEEN AN INCIDENT
 THERE'S
 NO EASY WAY
 TO SAY THIS
 SON
 YOUR
 UNCLE TRIED
 THERE WAS A LOT OF TO STOP THE
 CASH LYING AROUNDGuY AND HE
 AFRAID YOUR
 UNCLE DIDN'T
 MAKE IT
 GOT SHOT
 BROKE IN.
 IS HE
 IS HE
 OKAY
 TEN
 CHARLIE-SEVEN...
 OVER
 THIS IS
 TEN-CHARLIE
 SEVEN. OVER
 WE HAVE
 A POSSIBLE SIGHTING
 ON YOUR SUSPECT: WHITE
 ㅆALE, LATE THIRTIES
 BLOND HAIR AND RED
 JACKET. SUSPICIOUS ㅆALE
 SEEN ENTERING ACㅆ
 WAREHOUSE ON PARLOR
 STREET, OVER.
traincat:
“What the hell is wrong with you? You could have stopped him… at least, slowed him down.”“And yet I didn’t. Imagine that.”
Mythos: Spider-Man
I know everyone is tired of seeing the origin on film in reboots, but the origin is important. One moment of I honestly don’t even think you can call it selfishness! One moment of apathy! One moment of not doing good because if you have the power to do good it is your responsibility to do it! And this is what happens! One moment! No high tech suits, no craving approval from authority figures. One moment in a back hall or a parking garage or a convenience store. One stupid petty vindictive moment that felt GOOD. That felt BETTER than helping. That’s what it boils down to. Spider-Man is about the opposite of rewards.

traincat: “What the hell is wrong with you? You could have stopped him… at least, slowed him down.”“And yet I didn’t. Imagine that.” Mythos:...

80s, Adam Driver, and Adam Sandler: NO ONE WILL WATCH THIS No ONE WANTS7 /S UL JUL CARES FOA THIS its-bewitched: trilllizard666: keyhollow:Story matters more than sex, please always remember that. what’s funniest about this comic, I think, is the wildly inconsistent success or complete lack of in the properties and the vast, wild differences between how they were received in the run up to the premier of them as artistic/entertainment propertiesFiegbusters/Ghostbusters 2016 had a PR run that was mostly defined by a weird antagonism where they said detractors are just manbaby basement dwellers that hate women, along with pretty badly done trailers that people compared to Pixels. Remember Pixels? That awful Adam Sandler REMEMBER THE 80S vehicle/scam? That said, unlike Pixels, this Ghostbusters failed to make money. It flopped. It flopped terribly. So Strawman McGee was actually right, Nobody DID Watch This, besides weirdoes that used Holtzmann reaction gifs for a month and kept saying how gay they were for two of the lady Ghostbusters.Star Wars: The Force Awakens was a huge runaway box office success with people excited to see it, even though a lot of people were critical of Rey and how boring she was as a character, in comparison to Finn and Poe, who had a lot more interesting going on with their characters, respectively, and people were excited to see The Last Jedi. Then came the sequel. It was…still a financial box office success, but it was extremely divisive among Star Wars fans and any group of critics that aren’t deeply entrenched “establishment” film critics. And there’s rumors abound it wasn’t quite AS much a box office success as Disney would like, which along with Solo flopping, seems to have resulted in Disney pulling back their Star Wars output a little tiny bit. Possibly.Literally all the reasons that people were apprehensive about Wonder Woman pre-release were all reasons unrelated to her being a woman. She’s one of the most important DC superheroes, a founding member of almost all incarnations of the Justice League, and Frank Miller himself has called part of The Trinity of DC, along with Superman and Batman. People were apprehensive of a Wonder Woman film because almost all the previous attempts to bring Wonder Woman to film or TV have been some sort of disaster, from the Joss Whedon script that leaked that everyone took the absolute piss out of (which had a seriously troubled production that led to the Wonder Woman film we eventually got), to the horrible pilot that makes Wonder Woman into a bizarrely inconsistent crazed murderer. People were apprehensive of a Wonder Woman film because it was part of the badly executed DCEU, with the previous films before this including BvS and Suicide Squad, which were critically SAVAGED. People were looking at a Wonder Woman and dreading it cause they were like “oh god not another one of these fucking awful films”. and then Justice League afterwards was total dogshit. and yeah, there was a bit of controversy about Gal Gadot, but that’s from a mixture of people not being sure she could actually act well enough because she was mostly a model and was in a Fast and Furious film before this, and because she is a proud IDF member, which is kinda controversial because of all the baggage that comes with what the Israeli military frequently does in terms of war crimes. (granted, she was only ever in a non combat role when she served in the military, but come on, this website gave Adam Driver shit for joining the USMC and not doing anything combat related before he got a medical discharge cause he broke his collarbone lmao). it had nothing to do with being a woman.Literally nobody cares about She-Ra except for weirdoes into it, like the beanmouth manchildren animation adherents or the people that uniroically think SJWs are killing everything, and it’s a cheaply made Netflix show. You’d have to almost try on purpose to not make any money from a Netflix show with a low/modest budget. Also I know a few families with young girls and young boys and nobody I know seems to remotely give a shit about the reboot She-Ra. It’s all weird teenagers, shippers, and the type of people that send death threats for people drawing boobs while beating meat to the catgirl in it getting with the main character.Captain Marvel is a box office success and reviewing decently well, but even the critics that like it are leveling criticisms towards how badly shot and done some of the fight scenes and long shots are, and a popular sentient is a lot of the fights have it so that it’s almost impossible to tell what’s happening, which isn’t a criticism unique to Captain Marvel. However, most people that were unthrilled about Captain Marvel before launch…Thought the trailer looked boring (gosh, that’s familiar), or were people raising an eyebrow at how the film’s basically Air Force propaganda. And it’s probably worth saying here, Captain Marvel, or Carol Danvers just isn’t that popular a character and isn’t popular in comics at all. Marvel flagrantly kept trying to astroturf her into an A lister position after they realized they had (at the time), sold off the film rights to a majority of the popular female characters. Most all their popular heroes and anti-heroes and villains that were female are in the X-Men, which was owned by Fox, or in other films in other studios. Cue the pre-Disney buyout reboot of her. Which flopped as a solo title, by the way. Notice how almost all the stuff with Ms Marvel/Danvers Captain Marvel that does well has her as a MEMBER or a side character. She’s a C-level character that came into existence, pre-retcon, because a superpowered Kree’s DNA got mixed with hers in an explosion. She was an emergency replacement, out of universe because of the Captain Marvel DC/Marvel clusterfuck and lawsuits. She’s less a character, and more a device. And this also easily fits under the “needlessly, weirdly antagonistic PR umbrella”nobody that can string together more than a comprehensible sentence does not dislike this things cause there’s women in it, trust me lmao The issue with captain marvel is RT deleting up to 50k reviews from fans that dislike the film. The headlines are “Brie Larson defeats internet trolls!” Calling fans trolls sure does a lot to discourage them from getting into a movie.
80s, Adam Driver, and Adam Sandler: NO ONE WILL WATCH THIS
 No ONE WANTS7
 /S
 UL JUL
 CARES FOA
 THIS
its-bewitched:

trilllizard666:

keyhollow:Story matters more than sex, please always remember that. 
what’s funniest about this comic, I think, is the wildly inconsistent success or complete lack of in the properties and the vast, wild differences between how they were received in the run up to the premier of them as artistic/entertainment propertiesFiegbusters/Ghostbusters 2016 had a PR run that was mostly defined by a weird antagonism where they said detractors are just manbaby basement dwellers that hate women, along with pretty badly done trailers that people compared to Pixels. Remember Pixels? That awful Adam Sandler REMEMBER THE 80S vehicle/scam? That said, unlike Pixels, this Ghostbusters failed to make money. It flopped. It flopped terribly. So Strawman McGee was actually right, Nobody DID Watch This, besides weirdoes that used Holtzmann reaction gifs for a month and kept saying how gay they were for two of the lady Ghostbusters.Star Wars: The Force Awakens was a huge runaway box office success with people excited to see it, even though a lot of people were critical of Rey and how boring she was as a character, in comparison to Finn and Poe, who had a lot more interesting going on with their characters, respectively, and people were excited to see The Last Jedi. Then came the sequel. It was…still a financial box office success, but it was extremely divisive among Star Wars fans and any group of critics that aren’t deeply entrenched “establishment” film critics. And there’s rumors abound it wasn’t quite AS much a box office success as Disney would like, which along with Solo flopping, seems to have resulted in Disney pulling back their Star Wars output a little tiny bit. Possibly.Literally all the reasons that people were apprehensive about Wonder Woman pre-release were all reasons unrelated to her being a woman. She’s one of the most important DC superheroes, a founding member of almost all incarnations of the Justice League, and Frank Miller himself has called part of The Trinity of DC, along with Superman and Batman. People were apprehensive of a Wonder Woman film because almost all the previous attempts to bring Wonder Woman to film or TV have been some sort of disaster, from the Joss Whedon script that leaked that everyone took the absolute piss out of (which had a seriously troubled production that led to the Wonder Woman film we eventually got), to the horrible pilot that makes Wonder Woman into a bizarrely inconsistent crazed murderer. People were apprehensive of a Wonder Woman film because it was part of the badly executed DCEU, with the previous films before this including BvS and Suicide Squad, which were critically SAVAGED. People were looking at a Wonder Woman and dreading it cause they were like “oh god not another one of these fucking awful films”. and then Justice League afterwards was total dogshit. and yeah, there was a bit of controversy about Gal Gadot, but that’s from a mixture of people not being sure she could actually act well enough because she was mostly a model and was in a Fast and Furious film before this, and because she is a proud IDF member, which is kinda controversial because of all the baggage that comes with what the Israeli military frequently does in terms of war crimes. (granted, she was only ever in a non combat role when she served in the military, but come on, this website gave Adam Driver shit for joining the USMC and not doing anything combat related before he got a medical discharge cause he broke his collarbone lmao). it had nothing to do with being a woman.Literally nobody cares about She-Ra except for weirdoes into it, like the beanmouth manchildren animation adherents or the people that uniroically think SJWs are killing everything, and it’s a cheaply made Netflix show. You’d have to almost try on purpose to not make any money from a Netflix show with a low/modest budget. Also I know a few families with young girls and young boys and nobody I know seems to remotely give a shit about the reboot She-Ra. It’s all weird teenagers, shippers, and the type of people that send death threats for people drawing boobs while beating meat to the catgirl in it getting with the main character.Captain Marvel is a box office success and reviewing decently well, but even the critics that like it are leveling criticisms towards how badly shot and done some of the fight scenes and long shots are, and a popular sentient is a lot of the fights have it so that it’s almost impossible to tell what’s happening, which isn’t a criticism unique to Captain Marvel. However, most people that were unthrilled about Captain Marvel before launch…Thought the trailer looked boring (gosh, that’s familiar), or were people raising an eyebrow at how the film’s basically Air Force propaganda. And it’s probably worth saying here, Captain Marvel, or Carol Danvers just isn’t that popular a character and isn’t popular in comics at all. Marvel flagrantly kept trying to astroturf her into an A lister position after they realized they had (at the time), sold off the film rights to a majority of the popular female characters. Most all their popular heroes and anti-heroes and villains that were female are in the X-Men, which was owned by Fox, or in other films in other studios. Cue the pre-Disney buyout reboot of her. Which flopped as a solo title, by the way. Notice how almost all the stuff with Ms Marvel/Danvers Captain Marvel that does well has her as a MEMBER or a side character. She’s a C-level character that came into existence, pre-retcon, because a superpowered Kree’s DNA got mixed with hers in an explosion. She was an emergency replacement, out of universe because of the Captain Marvel DC/Marvel clusterfuck and lawsuits. She’s less a character, and more a device. And this also easily fits under the “needlessly, weirdly antagonistic PR umbrella”nobody that can string together more than a comprehensible sentence does not dislike this things cause there’s women in it, trust me lmao

The issue with captain marvel is RT deleting up to 50k reviews from fans that dislike the film. The headlines are “Brie Larson defeats internet trolls!” Calling fans trolls sure does a lot to discourage them from getting into a movie.

its-bewitched: trilllizard666: keyhollow:Story matters more than sex, please always remember that. what’s funniest about this comic, I th...

Disney, Tumblr, and Twitter: memecollege: How every movie is gonna start in 2035, after Disney buys the entire film industry credit @boomborks
Disney, Tumblr, and Twitter: memecollege:


How every movie is gonna start in 2035, after Disney buys the entire film industry


credit

@boomborks

memecollege: How every movie is gonna start in 2035, after Disney buys the entire film industry credit @boomborks

The Shining, World, and Film: The world renowned Heres Johnny scene from the film The Shining (1980)
The Shining, World, and Film: The world renowned Heres Johnny scene from the film The Shining (1980)

The world renowned Heres Johnny scene from the film The Shining (1980)

80s, Bad, and Christmas: Chris Kohler @kobunheat 18m We have ET. WE HAVE ET pic.twitter.com/fIPTXgsyoo Expand 4, Reply Retweet ★ Favorite More Chris Kohler @kobunheat-4m Close up. pic.twitter.com/inSKukib24 ATARI 75 Expand Reply Retweet FavoriteMoe lightspeedsound: videogamesarepurehappiness: maqdaddio: ask-gallows-callibrator: vergess: coelasquid: derples: raisehelia: cavebae: estpolis: mrdappersden: They did it, they fucking did it. holyfducjk HISTORY holy shit! can someone explain this to me Thirty years ago a legendary ET game came to fruition, so awful that as the tale told, all unsold copies of it were buried in a pit in New Mexico. A documentary film crew has just unearthed the stash, proving the legend true. I don’t think people fully grasp just how awful it was. This one game, by the sheer merit of its unmatched shittiness, destroyed the video game and console market so thoroughly that the at home video game nearly went the way of the 8-track player. It was literally so awful that it nearly changed the entire course of technology. how can a video game possibly be that bad People don’t really understand why it was terrible though, and the reasons why are extremely important and relevant especially today. The game itself is bad, yes. It was built up to be an exciting hit for kids to play at Christmas in 1982. So much in fact, that retailers bought WAY more stock then could every be sold based on the hype. However, people at the time liked the game. It looks bad now, but the game itself was pretty on par with the times. It wound up selling 1.5 million copies. Which would be great, except Atari was expecting to sell 4-5 million. While initial reception was positive, critics started panning the game as critics do. While it was no worse than most other games at the time, it was stil frustrating and hard to play. It could not live up to the hype that had been built and negative press built up quickly. But what was ALSO happening was a flood of cheap imitations on the market. ET is a licensed game, and like all licenses comes at a higher markup. So if you wanted to buy a game for yourself or your kid, would you buy 1 game, or 2 for the same price? Atari was also screwing around with how they handled their distributors. Just before the game went to public, but AFTER the game had been bought and shipped, Atari announced that they were cancelling every existing contract with distributors and signing with only a select few. So distributors, now pissed off and with an abundance of games that were NOT selling and with prices slashed horribly to sell games that people were quickly losing interest in, retailers put their claims to return a collective 2.5-3.5 million copies back to Atari. Atari, unable to recycle the cartridges or resell them in any way, wound up burying them in the Nevada desert. This caused the Video Game Crash of the early 80s that put a dark mark on video games until Nintendo (and in some small part other game companies) to revive later.   It was the perfect storm. An over-hyped overpriced game sold to an increasingly frustrated and over-saturated market with retailers scrambling to make a dime while Game Devs blame the market for poor sales. Some say the proverbial planets are aligning again, with way too many consoles putting way too samey games on the market at way too high a cost with a strong dependence on Pre-orders and pre-order exclusives. Wanna give the game a shot?  Internet Archives actually has a copy of it at this link: https://archive.org/details/E.T._The_Extra-Terrestrial_1982_Atari_NTSC this is like the dutch tulip bubble of our times
80s, Bad, and Christmas: Chris Kohler @kobunheat 18m
 We have ET. WE HAVE ET pic.twitter.com/fIPTXgsyoo
 Expand
 4, Reply
 Retweet ★ Favorite More

 Chris Kohler @kobunheat-4m
 Close up. pic.twitter.com/inSKukib24
 ATARI
 75
 Expand
 Reply Retweet FavoriteMoe
lightspeedsound:
videogamesarepurehappiness:

maqdaddio:

ask-gallows-callibrator:

vergess:

coelasquid:

derples:

raisehelia:

cavebae:

estpolis:

mrdappersden:

They did it, they fucking did it.

holyfducjk

HISTORY

holy shit!

can someone explain this to me

Thirty years ago a legendary ET game came to fruition, so awful that as the tale told, all unsold copies of it were buried in a pit in New Mexico. A documentary film crew has just unearthed the stash, proving the legend true.

I don’t think people fully grasp just how awful it was. This one game, by the sheer merit of its unmatched shittiness, destroyed the video game and console market so thoroughly that the at home video game nearly went the way of the 8-track player.
It was literally so awful that it nearly changed the entire course of technology.

how can a video game possibly be that bad

People don’t really understand why it was terrible though, and the reasons why are extremely important and relevant especially today.
The game itself is bad, yes. It was built up to be an exciting hit for kids to play at Christmas in 1982. So much in fact, that retailers bought WAY more stock then could every be sold based on the hype.
However, people at the time liked the game. It looks bad now, but the game itself was pretty on par with the times. It wound up selling 1.5 million copies. Which would be great, except Atari was expecting to sell 4-5 million.
While initial reception was positive, critics started panning the game as critics do. While it was no worse than most other games at the time, it was stil frustrating and hard to play. It could not live up to the hype that had been built and negative press built up quickly.
But what was ALSO happening was a flood of cheap imitations on the market. ET is a licensed game, and like all licenses comes at a higher markup. So if you wanted to buy a game for yourself or your kid, would you buy 1 game, or 2 for the same price?
Atari was also screwing around with how they handled their distributors. Just before the game went to public, but AFTER the game had been bought and shipped, Atari announced that they were cancelling every existing contract with distributors and signing with only a select few.
So distributors, now pissed off and with an abundance of games that were NOT selling and with prices slashed horribly to sell games that people were quickly losing interest in, retailers put their claims to return a collective 2.5-3.5 million copies back to Atari. Atari, unable to recycle the cartridges or resell them in any way, wound up burying them in the Nevada desert.


This caused the Video Game Crash of the early 80s that put a dark mark on video games until Nintendo (and in some small part other game companies) to revive later. 
 It was the perfect storm. An over-hyped overpriced game sold to an increasingly frustrated and over-saturated market with retailers scrambling to make a dime while Game Devs blame the market for poor sales.

Some say the proverbial planets are aligning again, with way too many consoles putting way too samey games on the market at way too high a cost with a strong dependence on Pre-orders and pre-order exclusives.

Wanna give the game a shot?  Internet Archives actually has a copy of it at this link:
https://archive.org/details/E.T._The_Extra-Terrestrial_1982_Atari_NTSC

this is like the dutch tulip bubble of our times

lightspeedsound: videogamesarepurehappiness: maqdaddio: ask-gallows-callibrator: vergess: coelasquid: derples: raisehelia: cavebae: ...

Ass, Disney, and Dude: WELL, WHO WANTS TO WORK AT THIS STUPID... FAKEY LUAU ANYWAY angrynebula: brunhiddensmusings: lady-violaceous: lyrangalia: oakumura: gnarly-art: Lilo and Stitch presenting an accurate representation of Hawaiians perspective on luaus held by tourists.  #what’s sad about this is that this is actually what Hawaiians had to do when the western culture took over #a luau was a sacred practice #until the westerners took the concept and had the audacity to change it into a time to stuff your face with food and put on grass skirts and coconut bras and dance the hula #and when they had these events, they didn’t even let actual Hawaiian people in #so to make money to take care of themselves, the Hawaiians were hired to work in these disgraceful events to clean up after the tourists like slaves only to make less than a buck #so good job disney for doing your fucking research and educating these people #sadly, this still goes on even until today and it makes me sick “good job disney” my ass, good job CHRIS SANDERS Let’s not credit just Chris Sanders for this. This happened because they cast actual Hawaiian Actors like Tia Carrere and Jason Scott Lee to play Hawaiian characters, and allowed the actors to have input into writing the characters’ lines.  This sort of authenticity comes from accuracy and authenticity in casting choices. The fact that Chris Sanders as direct/writer facilitated that does not mean he gets credit for the actors’ experience. This is why diversity and representation in media matters. Dude as a hawaiian, this is like straight up what my life as a kid was. My mom worked at those fakey luaus full time to pay rent. My mom is someone who is absolutely passionate and proud about being a hawaiian, living and teaching the ways our ancestors lived and taught. See, we Hawaiians, we live by the way of aloha. And not by the way of “hello” “goodbye”, let me educate you. As Pono Shim, CEO and President of Enterprise Honolulu, the Oahu Economic Development Board, states absolutely perfectly “aloha is to be in the presence of life, to share the essence of one’s being with openness, honesty, and humility. It is a way of being, a way of behaving, a way of life. It is a commitment to accepting others and giving dignity to who they are and what they have to offer.” Aloha is more than hello and goodbye. Think of aloha as an abbreviation. Akahai: meaning kindness Lokahi: meaning unity Olu’Olu’: meaning agreeableness Ha’aha’a: meaning humility Ahonui: meaning patience This is something we all need to live by, seriously, we all should the dropped sub-plot was that lilo hated tourists, which is why she goes around taking pictures of them like they were attractions instead of people; like how they took photos of locals similarly there was a deleted scene where she scares tourists off of a beach by sounding a false tsunami siren to watch them run screamingdeeper in the lore that kid thats a prick to her, mertyle, is the daughter of the person who runs the megamart and crushed a lot of other local businesses- when they have to do a hula to tell a story mertyle actually uses it to describe the low prices, where lilo does a hula about a traditional creation myth that was important to her mother. you may notice both lilo and nani are on first name basis with both the coffee shop owner and the fruitseller, there is big disparity between the locals and foreign interest businesses relegating them to just be tourist industry friendly reminder that lilo stitch is indisputably the best disney film
Ass, Disney, and Dude: WELL, WHO WANTS TO WORK
 AT THIS STUPID...

 FAKEY LUAU ANYWAY
angrynebula:

brunhiddensmusings:

lady-violaceous:

lyrangalia:

oakumura:

gnarly-art:

Lilo and Stitch presenting an accurate representation of Hawaiians perspective on luaus held by tourists. 

#what’s sad about this is that this is actually what Hawaiians had to do when the western culture took over #a luau was a sacred practice #until the westerners took the concept and had the audacity to change it into a time to stuff your face with food and put on grass skirts and coconut bras and dance the hula #and when they had these events, they didn’t even let actual Hawaiian people in #so to make money to take care of themselves, the Hawaiians were hired to work in these disgraceful events to clean up after the tourists like slaves only to make less than a buck #so good job disney for doing your fucking research and educating these people #sadly, this still goes on even until today and it makes me sick


“good job disney” my ass, good job CHRIS SANDERS

Let’s not credit just Chris Sanders for this. This happened because they cast actual Hawaiian Actors like Tia Carrere and Jason Scott Lee to play Hawaiian characters, and allowed the actors to have input into writing the characters’ lines. 
This sort of authenticity comes from accuracy and authenticity in casting choices. The fact that Chris Sanders as direct/writer facilitated that does not mean he gets credit for the actors’ experience.
This is why diversity and representation in media matters.

Dude as a hawaiian, this is like straight up what my life as a kid was. My mom worked at those fakey luaus full time to pay rent. My mom is someone who is absolutely passionate and proud about being a hawaiian, living and teaching the ways our ancestors lived and taught.

See, we Hawaiians, we live by the way of aloha. And not by the way of “hello” “goodbye”, let me educate you. As Pono Shim, CEO and President of Enterprise Honolulu, the Oahu Economic Development Board, states absolutely perfectly “aloha is to be in the presence of life, to share the essence of one’s being with openness, honesty, and humility. It is a way of being, a way of behaving, a way of life. It is a commitment to accepting others and giving dignity to who they are and what they have to offer.” Aloha is more than hello and goodbye. Think of aloha as an abbreviation.

Akahai: meaning kindness
Lokahi: meaning unity
Olu’Olu’: meaning agreeableness
Ha’aha’a: meaning humility
Ahonui: meaning patience

This is something we all need to live by, seriously, we all should 

the dropped sub-plot was that lilo hated tourists, which is why she goes around taking pictures of them like they were attractions instead of people; like how they took photos of locals
similarly there was a deleted scene where she scares tourists off of a beach by sounding a false tsunami siren to watch them run screamingdeeper in the lore that kid thats a prick to her, mertyle, is the daughter of the person who runs the megamart and crushed a lot of other local businesses- when they have to do a hula to tell a story mertyle actually uses it to describe the low prices, where lilo does a hula about a traditional creation myth that was important to her mother. you may notice both lilo and nani are on first name basis with both the coffee shop owner and the fruitseller, there is big disparity between the locals and foreign interest businesses relegating them to just be tourist industry

friendly reminder that lilo  stitch is indisputably the best disney film

angrynebula: brunhiddensmusings: lady-violaceous: lyrangalia: oakumura: gnarly-art: Lilo and Stitch presenting an accurate representat...

80s, Bad, and Christmas: Chris Kohler @kobunheat 18m We have ET. WE HAVE ET pic.twitter.com/fIPTXgsyoo Expand 4, Reply Retweet ★ Favorite More Chris Kohler @kobunheat-4m Close up. pic.twitter.com/inSKukib24 ATARI 75 Expand Reply Retweet FavoriteMoe lightspeedsound: videogamesarepurehappiness: maqdaddio: ask-gallows-callibrator: vergess: coelasquid: derples: raisehelia: cavebae: estpolis: mrdappersden: They did it, they fucking did it. holyfducjk HISTORY holy shit! can someone explain this to me Thirty years ago a legendary ET game came to fruition, so awful that as the tale told, all unsold copies of it were buried in a pit in New Mexico. A documentary film crew has just unearthed the stash, proving the legend true. I don’t think people fully grasp just how awful it was. This one game, by the sheer merit of its unmatched shittiness, destroyed the video game and console market so thoroughly that the at home video game nearly went the way of the 8-track player. It was literally so awful that it nearly changed the entire course of technology. how can a video game possibly be that bad People don’t really understand why it was terrible though, and the reasons why are extremely important and relevant especially today. The game itself is bad, yes. It was built up to be an exciting hit for kids to play at Christmas in 1982. So much in fact, that retailers bought WAY more stock then could every be sold based on the hype. However, people at the time liked the game. It looks bad now, but the game itself was pretty on par with the times. It wound up selling 1.5 million copies. Which would be great, except Atari was expecting to sell 4-5 million. While initial reception was positive, critics started panning the game as critics do. While it was no worse than most other games at the time, it was stil frustrating and hard to play. It could not live up to the hype that had been built and negative press built up quickly. But what was ALSO happening was a flood of cheap imitations on the market. ET is a licensed game, and like all licenses comes at a higher markup. So if you wanted to buy a game for yourself or your kid, would you buy 1 game, or 2 for the same price? Atari was also screwing around with how they handled their distributors. Just before the game went to public, but AFTER the game had been bought and shipped, Atari announced that they were cancelling every existing contract with distributors and signing with only a select few. So distributors, now pissed off and with an abundance of games that were NOT selling and with prices slashed horribly to sell games that people were quickly losing interest in, retailers put their claims to return a collective 2.5-3.5 million copies back to Atari. Atari, unable to recycle the cartridges or resell them in any way, wound up burying them in the Nevada desert. This caused the Video Game Crash of the early 80s that put a dark mark on video games until Nintendo (and in some small part other game companies) to revive later.   It was the perfect storm. An over-hyped overpriced game sold to an increasingly frustrated and over-saturated market with retailers scrambling to make a dime while Game Devs blame the market for poor sales. Some say the proverbial planets are aligning again, with way too many consoles putting way too samey games on the market at way too high a cost with a strong dependence on Pre-orders and pre-order exclusives. Wanna give the game a shot?  Internet Archives actually has a copy of it at this link: https://archive.org/details/E.T._The_Extra-Terrestrial_1982_Atari_NTSC this is like the dutch tulip bubble of our times
80s, Bad, and Christmas: Chris Kohler @kobunheat 18m
 We have ET. WE HAVE ET pic.twitter.com/fIPTXgsyoo
 Expand
 4, Reply
 Retweet ★ Favorite More

 Chris Kohler @kobunheat-4m
 Close up. pic.twitter.com/inSKukib24
 ATARI
 75
 Expand
 Reply Retweet FavoriteMoe
lightspeedsound:

videogamesarepurehappiness:

maqdaddio:

ask-gallows-callibrator:

vergess:

coelasquid:

derples:

raisehelia:

cavebae:

estpolis:

mrdappersden:

They did it, they fucking did it.

holyfducjk

HISTORY

holy shit!

can someone explain this to me

Thirty years ago a legendary ET game came to fruition, so awful that as the tale told, all unsold copies of it were buried in a pit in New Mexico. A documentary film crew has just unearthed the stash, proving the legend true.

I don’t think people fully grasp just how awful it was. This one game, by the sheer merit of its unmatched shittiness, destroyed the video game and console market so thoroughly that the at home video game nearly went the way of the 8-track player.
It was literally so awful that it nearly changed the entire course of technology.

how can a video game possibly be that bad

People don’t really understand why it was terrible though, and the reasons why are extremely important and relevant especially today.
The game itself is bad, yes. It was built up to be an exciting hit for kids to play at Christmas in 1982. So much in fact, that retailers bought WAY more stock then could every be sold based on the hype.
However, people at the time liked the game. It looks bad now, but the game itself was pretty on par with the times. It wound up selling 1.5 million copies. Which would be great, except Atari was expecting to sell 4-5 million.
While initial reception was positive, critics started panning the game as critics do. While it was no worse than most other games at the time, it was stil frustrating and hard to play. It could not live up to the hype that had been built and negative press built up quickly.
But what was ALSO happening was a flood of cheap imitations on the market. ET is a licensed game, and like all licenses comes at a higher markup. So if you wanted to buy a game for yourself or your kid, would you buy 1 game, or 2 for the same price?
Atari was also screwing around with how they handled their distributors. Just before the game went to public, but AFTER the game had been bought and shipped, Atari announced that they were cancelling every existing contract with distributors and signing with only a select few.
So distributors, now pissed off and with an abundance of games that were NOT selling and with prices slashed horribly to sell games that people were quickly losing interest in, retailers put their claims to return a collective 2.5-3.5 million copies back to Atari. Atari, unable to recycle the cartridges or resell them in any way, wound up burying them in the Nevada desert.


This caused the Video Game Crash of the early 80s that put a dark mark on video games until Nintendo (and in some small part other game companies) to revive later. 
 It was the perfect storm. An over-hyped overpriced game sold to an increasingly frustrated and over-saturated market with retailers scrambling to make a dime while Game Devs blame the market for poor sales.

Some say the proverbial planets are aligning again, with way too many consoles putting way too samey games on the market at way too high a cost with a strong dependence on Pre-orders and pre-order exclusives.

Wanna give the game a shot?  Internet Archives actually has a copy of it at this link:
https://archive.org/details/E.T._The_Extra-Terrestrial_1982_Atari_NTSC

this is like the dutch tulip bubble of our times

lightspeedsound: videogamesarepurehappiness: maqdaddio: ask-gallows-callibrator: vergess: coelasquid: derples: raisehelia: cavebae: ...