Lalaland
Lalaland

Lalaland

Auring
Auring

Auring

candids
 candids

candids

sticked
 sticked

sticked

actor
 actor

actor

lines
 lines

lines

no
 no

no

walk
 walk

walk

scenes
scenes

scenes

fact
fact

fact

🔥 | Latest

Bad, Doctor, and Energy: WHAT'S YOUR PERSONALITY? I am SUN, and MOON is what makes me feel emotionally happy, but I express myself in MERCURY way. When it comes to love, I will be VENUS, but when I get angry, I become MARS. Though people see me as RISING Life systematically challenges me to SATURN. My sense of humour is JUPITER. I'm URANUS when it comes to changes and I have the imagination of NEPTUNE. My secret energy and individual powers are aimed at PLUTO. Oh, and not to forget, I'll be absolutely successful as MIDHEAVEN. My deepest inner self can be compared to DOMINANT PLANET/DOMINANT SIGN. Sun Moon Mercury Venus Mars CHALLENGES Aries A REBEL A DIRECT PASSIONATE AGGRESSIVE A PRACTICAL COMMUNICATION A LIGHTHEARTED A GUARDIAN A MASTERMIND Taurus STABILITY RELIABLE STUBBORN Gemini REASONABLE DESTRUCTIVE Cancer A ROMANTIC CARE A SENTIMENTAL NUTRURING NASTY A RINGLEADER A DRAMATIC PRAISE Leo GENEROUS LOUD Virgo A HEALER SECURITY AΝIMPAΤIENT HELPFUL DISTANT Libra AN ARTIST INDIVIDUALITY A TACTFUL THOUGHTFUL CRITICAL Scorpio AN ENIGMA POWER A PIERCING INTENSE VENGEFUL A WANDERER Sagittarius EXPERIENCES A PLAYFUL FLIRTATIOUS INDIFFERENT Сapricorn AN OWNER AUTHENTICITY A CONCISE PROTECTIVE VIOLENT AN INNOVATOR Aquarius FRIENDSHIP A LOGICAL INTRIGUING SARCASTIC AVAGUE Pisces A DREAMER ART COMPASSIONATE SELFISH Rising Saturn Jupiter Uranus Aries BE TOLERANT THE FIGHTER TEASING ENTHUSIASTIC Taurus THE MASTER LOSE WHAT I LOVE MOST GROSS CAUTIOUS MAKE QUICK DECISIONS Gemini THE CHARMER BONDING-IN-THE-MOMENT FLEXIBLE FACE LONELINESS Cancer THE HELPER PARODIC IMPATIENT SACRIFICE MY DIGNITY THE INDIVIDUALIST Leo HYPERBOLIC PUSHY Virgo THE PENDANT DEAL WITH DISASTERS DARK PASSIVE Libra THE AESTHETE FIGHT IRONIC CURIOUS THE SCEPTIC Scorpio CONTROL MY INSTINCTS DRY DISTRUSTING Sagittarius THE COMEDIAN BE STUCK IN A RUT ANECDOTAL ECCENTRIC Capricorn THE VINTAGE SOUL FACE FAILURE SELF-DEPRECATING ANXIOUS Aquarius THE ADVISER BLEND IN WITTY IMPASSIONAED THE ANGEL FACE OVERWHELMING QUIRKY CULTURAL Pisces UNPREDICTABLE STRESS Neptune Pluto Midheaven Aries A MADCAP SEXUALITY AN ATHLETE A STRATEGIST Taurus IMPROVEMENTS AN ARCHITECT Gemini A SCHIZOPHRENE INTELLECTUALITY A TEACHER/ PROFESSOR A WRITER/ POET Cancer A CHILD EMOTIONAL INTENSITY Leo A POET DOMINATION AN ACTOR/ A FILM DIRECTOR A DOCTOR Virgo A SHAMAN OBSESSIONS Libra A DAYDREAMER RELIGION A DESIGNER A PSYCGIKIGUST Scorpio A MANIAC BLACK MAGIC AN IDEALIST Sagittarius EXPLORATIONS A POLITICIAN A LAWYER / JUDGE Сapricorn AN OCCULTIST ΑMΒΙΤIΟNS Aquarius A VISIONARY MANIPULATION A SCIENTIST Pisces A PROHET INTUITION A MUSICIAN Dominant Sign Dominant Planet Sun (Solarian) Moon (Lunarian) Mercury (Mercurian) Venus (Venusian) Mars (Martian) Jupiter (Jupiterian) Saturn (Saturnian) Uranus (Uranian) Neptune (Neptunian) Pluto (Plutonian) A MAJESTIC LIGHTNING Aries A TENDER Taurus FOREST A FATAL Gemini NORTHERN LIGHT A FASCINATING Cancer SEA HEAT A POWERFUL Leo A CHAOTIC Virgo FOG ΑΝ ANCIΕNT Libra RAINBOW AN IRREPRESSIBLE Scorpio TSUNAMI A WAVERING Sagittarius WILDFIRE A MYSTICAL Сapricorn VOLCANO Aquarius STORM MARSH Pisces superpanda112: I have stumbled upon this post many times and every time it bothered me that you have to scroll a lot to know the words soooo…. I made this in Word, trying to be less cluttered (sorry for bad quality) ORIGINAL POST BY @youstrology 💖
Bad, Doctor, and Energy: WHAT'S YOUR PERSONALITY?
 I am SUN, and MOON is what makes me feel emotionally happy, but I express myself in MERCURY
 way. When it comes to love, I will be VENUS, but when I get angry, I become MARS. Though people
 see me as RISING
 Life systematically challenges me to SATURN. My sense of humour is JUPITER. I'm URANUS when it
 comes to changes and I have the imagination of NEPTUNE. My secret energy and individual powers
 are aimed at PLUTO.
 Oh, and not to forget, I'll be absolutely successful as MIDHEAVEN.
 My deepest inner self can be compared to DOMINANT PLANET/DOMINANT SIGN.

 Sun
 Moon
 Mercury
 Venus
 Mars
 CHALLENGES
 Aries
 A REBEL
 A DIRECT
 PASSIONATE
 AGGRESSIVE
 A PRACTICAL
 COMMUNICATION A LIGHTHEARTED
 A GUARDIAN
 A MASTERMIND
 Taurus
 STABILITY
 RELIABLE
 STUBBORN
 Gemini
 REASONABLE
 DESTRUCTIVE
 Cancer
 A ROMANTIC
 CARE
 A SENTIMENTAL
 NUTRURING
 NASTY
 A RINGLEADER
 A DRAMATIC
 PRAISE
 Leo
 GENEROUS
 LOUD
 Virgo
 A HEALER
 SECURITY
 AΝIMPAΤIENT
 HELPFUL
 DISTANT
 Libra
 AN ARTIST
 INDIVIDUALITY
 A TACTFUL
 THOUGHTFUL
 CRITICAL
 Scorpio
 AN ENIGMA
 POWER
 A PIERCING
 INTENSE
 VENGEFUL
 A WANDERER
 Sagittarius
 EXPERIENCES
 A PLAYFUL
 FLIRTATIOUS
 INDIFFERENT
 Сapricorn
 AN OWNER
 AUTHENTICITY
 A CONCISE
 PROTECTIVE
 VIOLENT
 AN INNOVATOR
 Aquarius
 FRIENDSHIP
 A LOGICAL
 INTRIGUING
 SARCASTIC
 AVAGUE
 Pisces
 A DREAMER
 ART
 COMPASSIONATE
 SELFISH

 Rising
 Saturn
 Jupiter
 Uranus
 Aries
 BE TOLERANT
 THE FIGHTER
 TEASING
 ENTHUSIASTIC
 Taurus
 THE MASTER
 LOSE WHAT I LOVE MOST
 GROSS
 CAUTIOUS
 MAKE QUICK DECISIONS
 Gemini
 THE CHARMER
 BONDING-IN-THE-MOMENT
 FLEXIBLE
 FACE LONELINESS
 Cancer
 THE HELPER
 PARODIC
 IMPATIENT
 SACRIFICE MY DIGNITY
 THE INDIVIDUALIST
 Leo
 HYPERBOLIC
 PUSHY
 Virgo
 THE PENDANT
 DEAL WITH DISASTERS
 DARK
 PASSIVE
 Libra
 THE AESTHETE
 FIGHT
 IRONIC
 CURIOUS
 THE SCEPTIC
 Scorpio
 CONTROL MY INSTINCTS
 DRY
 DISTRUSTING
 Sagittarius
 THE COMEDIAN
 BE STUCK IN A RUT
 ANECDOTAL
 ECCENTRIC
 Capricorn THE VINTAGE SOUL
 FACE FAILURE
 SELF-DEPRECATING
 ANXIOUS
 Aquarius
 THE ADVISER
 BLEND IN
 WITTY
 IMPASSIONAED
 THE ANGEL
 FACE OVERWHELMING
 QUIRKY CULTURAL
 Pisces
 UNPREDICTABLE
 STRESS

 Neptune
 Pluto
 Midheaven
 Aries
 A MADCAP
 SEXUALITY
 AN ATHLETE
 A STRATEGIST
 Taurus
 IMPROVEMENTS
 AN ARCHITECT
 Gemini
 A SCHIZOPHRENE
 INTELLECTUALITY
 A TEACHER/ PROFESSOR
 A WRITER/ POET
 Cancer
 A CHILD
 EMOTIONAL INTENSITY
 Leo
 A POET
 DOMINATION
 AN ACTOR/ A FILM DIRECTOR
 A DOCTOR
 Virgo
 A SHAMAN
 OBSESSIONS
 Libra
 A DAYDREAMER
 RELIGION
 A DESIGNER
 A PSYCGIKIGUST
 Scorpio
 A MANIAC
 BLACK MAGIC
 AN IDEALIST
 Sagittarius
 EXPLORATIONS
 A POLITICIAN
 A LAWYER / JUDGE
 Сapricorn
 AN OCCULTIST
 ΑMΒΙΤIΟNS
 Aquarius
 A VISIONARY
 MANIPULATION
 A SCIENTIST
 Pisces
 A PROHET
 INTUITION
 A MUSICIAN

 Dominant Sign
 Dominant Planet
 Sun (Solarian)
 Moon (Lunarian)
 Mercury (Mercurian)
 Venus (Venusian)
 Mars (Martian)
 Jupiter (Jupiterian)
 Saturn (Saturnian)
 Uranus (Uranian)
 Neptune (Neptunian)
 Pluto (Plutonian)
 A MAJESTIC
 LIGHTNING
 Aries
 A TENDER
 Taurus
 FOREST
 A FATAL
 Gemini
 NORTHERN LIGHT
 A FASCINATING
 Cancer
 SEA
 HEAT
 A POWERFUL
 Leo
 A CHAOTIC
 Virgo
 FOG
 ΑΝ ANCIΕNT
 Libra
 RAINBOW
 AN IRREPRESSIBLE
 Scorpio
 TSUNAMI
 A WAVERING
 Sagittarius
 WILDFIRE
 A MYSTICAL
 Сapricorn
 VOLCANO
 Aquarius
 STORM
 MARSH
 Pisces
superpanda112:

I have stumbled upon this post many times and every time it bothered me that you have to scroll a lot to know the words soooo…. I made this in Word, trying to be less cluttered (sorry for bad quality)

ORIGINAL POST BY @youstrology 💖

superpanda112: I have stumbled upon this post many times and every time it bothered me that you have to scroll a lot to know the words sooo...

Bad, Beer, and Life: Guillermo del Toro says he saw a real UFO and it was 'horribly designed' The Shape of Water director Guillermo 2.4K by Laura Hudson/2d thefingerfuckingfemalefury: elphabaforpresidentofgallifrey: doux-amer: truestoriesaboutme: dragon-in-a-fez: imagine you saw an alien spacecraft and your first reaction was to critique its flat color palette and unimaginative lines The Truth is Out There and It Has Bad Aesthetics Because context actually makes the already great headline even greater: “I know this is horrible,” del Toro continues. “You sound like a complete lunatic, but I saw a UFO. I didn’t want to see a UFO. It was horribly designed. I was with a friend. We bought a six-pack. We didn’t consume it, and there was a place called Cerro del Cuatro, “Mountain of the Four,” on the periphery of Guadalajara. We said, ‘Let’s go to the highway.’ We sit down to watch the stars and have the beer and talk. We were the only guys by the freeway. And we saw a light on the horizon going super-fast, not linear. And I said, ‘Honk and flash the lights.’ And we started honking.” The UFO, says del Toro, “Went from 1,000 meters away [to much closer] in less than a second — and it was so crappy. It was a flying saucer, so clichéd, with lights [blinking]. It’s so sad: I wish I could reveal they’re not what you think they are. They are what you think they are. And the fear we felt was so primal. I have never been that scared in my life. We jumped in the car, drove really fast. It was following us, and then I looked back and it was gone.” (x) the same man that made a movie about making giant robots to fight aliens SAW SOME ALIENS, INSULTED THEIR AESTHETIC, and RAN AWAY SCREAMING “there is intelligent life out there but it’s really fuckin tacky”
Bad, Beer, and Life: Guillermo del Toro says he saw a
 real UFO and it was 'horribly
 designed'
 The Shape of Water director Guillermo
 2.4K by Laura Hudson/2d
thefingerfuckingfemalefury:

elphabaforpresidentofgallifrey:

doux-amer:

truestoriesaboutme:

dragon-in-a-fez:
imagine you saw an alien spacecraft and your first reaction was to critique its flat color palette and unimaginative lines
The Truth is Out There and It Has Bad Aesthetics

Because context actually makes the already great headline even greater:

“I know this is horrible,” del Toro continues. “You sound like a complete lunatic, but I saw a UFO. I didn’t want to see a UFO. It was horribly designed. I was with a friend. We bought a six-pack. We didn’t consume it, and there was a place called Cerro del Cuatro, “Mountain of the Four,” on the periphery of Guadalajara. We said, ‘Let’s go to the highway.’ We sit down to watch the stars and have the beer and talk. We were the only guys by the freeway. And we saw a light on the horizon going super-fast, not linear. And I said, ‘Honk and flash the lights.’ And we started honking.”
The UFO, says del Toro, “Went from 1,000 meters away [to much closer] in less than a second — and it was so crappy. It was a flying saucer, so clichéd, with lights [blinking]. It’s so sad: I wish I could reveal they’re not what you think they are. They are what you think they are. And the fear we felt was so primal. I have never been that scared in my life. We jumped in the car, drove really fast. It was following us, and then I looked back and it was gone.”
(x)



the same man that made a movie about making giant robots to fight aliens SAW SOME ALIENS, INSULTED THEIR AESTHETIC, and RAN AWAY SCREAMING

“there is intelligent life out there but it’s really fuckin tacky”

thefingerfuckingfemalefury: elphabaforpresidentofgallifrey: doux-amer: truestoriesaboutme: dragon-in-a-fez: imagine you saw an alien spa...

Target, Tumblr, and Blog: 117 106 thegayfleet: oliverstarkk - Thanks for tuning in last night @911onfox fans! Hope you’ll be joining me and director @bradbuecker in the water next week! 🌊🌊🌊
Target, Tumblr, and Blog: 117
 106
thegayfleet:

oliverstarkk - 
Thanks for tuning in last night @911onfox fans! Hope you’ll be joining me and director @bradbuecker in the water next week! 🌊🌊🌊

thegayfleet: oliverstarkk - Thanks for tuning in last night @911onfox fans! Hope you’ll be joining me and director @bradbuecker in the wat...

Dank, Life, and Memes: PU BBILLIANT when the casting director casts you as a 28 year old extra, but you’re 33 in real life. by roastbeeftacohat MORE MEMES
Dank, Life, and Memes: PU
 BBILLIANT
when the casting director casts you as a 28 year old extra, but you’re 33 in real life. by roastbeeftacohat
MORE MEMES

when the casting director casts you as a 28 year old extra, but you’re 33 in real life. by roastbeeftacohat MORE MEMES

Anime, Period, and Samurai: Anra Follow @AnraNana Critically and commercially acclaimed director Shinichiro Watanabe on colorism in the Japanese anime industry and the importance of diversity and genuine care in creating art. Watanabe: The anime does deal with samurai, and tion to skin color," Watan in the back of my mind I was always woried it would multiple languages. Lots be seen as nationalistic. That is why I made one of the ave white skin- all the ch main characters someone from the Ryukyus, and put ever liked. I wanted to ha in the bit about a person training in China, and had le bit about it. The same foreign characters appear. If you watch the anime, it'sred in multiple languages, clear that it has nothing to do with it. It is not an an ed. ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. dif people weren't used to Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have 10:28 PM - 18 Jun 2019 15,092 Retweets 35,120 Likes Q: This may be a little off-topic, but what do you think of nationalism? Watanabe: The anime does deal with samurai, and in the back of my mind I was always worried it would be seen as nationalistic. That is why I made one of the main characters someone from the Ryukyus, and put in the bit about a person training in China, and had foreign characters appear. If you watch the anime, it's clear that it has nothing to do with it. It is not an an- ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have lots of people coming here from the continent and bringing agriculture with them. When the imperial sys- "I paid a lot of attention to skin color," Watanabe said in The Jazz Messengers. "Also to using multiple languages. Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked. I wanted to have lots of characters in Bebop without the white skin, and if people weren't used to that, well, maybe it would even make them think a little bit about it. The same was true for languages. I wanted to have lines muttered in multiple languages, but that would have been just too difficult," he laughed. gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT
Anime, Period, and Samurai: Anra
 Follow
 @AnraNana
 Critically and commercially acclaimed
 director Shinichiro Watanabe on
 colorism in the Japanese anime industry
 and the importance of diversity and
 genuine care in creating art.
 Watanabe: The anime does deal with samurai, and tion to skin color," Watan
 in the back of my mind I was always woried it would multiple languages. Lots
 be seen as nationalistic. That is why I made one of the ave white skin- all the ch
 main characters someone from the Ryukyus, and put ever liked. I wanted to ha
 in the bit about a person training in China, and had le bit about it. The same
 foreign characters appear. If you watch the anime, it'sred in multiple languages,
 clear that it has nothing to do with it. It is not an an ed.
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 dif people weren't used to
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 10:28 PM - 18 Jun 2019
 15,092 Retweets 35,120 Likes

 Q: This may be a little off-topic, but what do you
 think of nationalism?
 Watanabe: The anime does deal with samurai, and
 in the back of my mind I was always worried it would
 be seen as nationalistic. That is why I made one of the
 main characters someone from the Ryukyus, and put
 in the bit about a person training in China, and had
 foreign characters appear. If you watch the anime, it's
 clear that it has nothing to do with it. It is not an an-
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 lots of people coming here from the continent and
 bringing agriculture with them. When the imperial sys-

 "I paid a lot of attention to skin color," Watanabe said in The Jazz
 Messengers. "Also to using multiple languages. Lots of times when you watch
 anime, the characters all have white skin - all the characters in fantasy stories all
 have white skin, which I never liked. I wanted to have lots of characters in Bebop
 without the white skin, and if people weren't used to that, well, maybe it would
 even make them think a little bit about it. The same was true for languages. I
 wanted to have lines muttered in multiple languages, but that would have been
 just too difficult," he laughed.
gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

Gif, God, and Monster: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!

ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shu...

André the Giant, Fire, and Head: PRINCESS THE BRIDE TIDBITS HELLO. MY NAME IS INIGO MONTOYA You killed me father Prepare to die The director believes "My name is Inigo Montoya, you killed my father, prepare to die" is the most-quoted line from any of his movies (the other contenders being, "I'll have what she's having," and "You can't handle the truth!"). Reiner spoke of how Christopher Guest disappears so well into a role that he didn't even remember Guest being in the film. When he saw the actor at the premiere party, Reiner's first thought was of how nice it was of his friend to come out and support him, having forgotten that Guest played a part (Count Rugen aka the Six-fingered Man). Billy Crystal (Miracle Max) came up with many of his own lines, including "Why don't you give me a nice paper cut to pour lemon juice on it," and the "mutton, lettuce and tomato sandwich For the opening scene, Goldman originally wanted Jimmy Stewart in the Peter Falk role, but was happy with Falk. If Jewison had made the film, he planned the opening scene with an immigrant carrying a sick child up the stairs of a tenement building. William Goldman, author of the book, said he's not good on sets and related the story of how, even though he wrote the scene in both the book and the script, when he saw Buttercup's dress catch fire, he shrieked, "Her dress is on firel" effectively ruining the scene. Westley's mustache was Cary Elwes' idea, he thought it would give the character swashbuckling flair. During the scene between Westley and the Six-fingered Man, Cary Elwes told Christopher Guest to go on and hit him; Guest clocked him on the head so hard that Elwes had to go to the hospital. The shots of the Cliffs of Insanity are a mix of matte paintings and the actual location: the Cliffs of Moher in County Clare, Ireland. When he wrote the book, Goldman envisioned André the Giant in the role of Fezzik. you should probably go to TheMetaPicture.com lolzandtrollz:Something You Probably Didn’t Know About The Princess Bride
André the Giant, Fire, and Head: PRINCESS
 THE
 BRIDE
 TIDBITS
 HELLO. MY NAME IS INIGO MONTOYA
 You killed me father
 Prepare to die
 The director believes "My name is Inigo Montoya, you killed
 my father, prepare to die" is the most-quoted line from any
 of his movies (the other contenders being, "I'll have what
 she's having," and "You can't handle the truth!").
 Reiner spoke of how Christopher Guest disappears so well
 into a role that he didn't even remember Guest being in the
 film. When he saw the actor at the premiere party, Reiner's
 first thought was of how nice it was of his friend to come out
 and support him, having forgotten that Guest played a part
 (Count Rugen aka the Six-fingered Man).
 Billy Crystal (Miracle Max) came up with many of his own lines,
 including "Why don't you give me a nice paper cut to pour
 lemon juice on it," and the "mutton, lettuce and tomato
 sandwich
 For the opening scene, Goldman originally wanted Jimmy
 Stewart in the Peter Falk role, but was happy with Falk. If
 Jewison had made the film, he planned the opening scene
 with an immigrant carrying a sick child up the stairs of a
 tenement building.
 William Goldman, author of the book, said he's not good
 on sets and related the story of how, even though he wrote
 the scene in both the book and the script, when he saw
 Buttercup's dress catch fire, he shrieked, "Her dress is on
 firel" effectively ruining the scene.
 Westley's mustache was Cary Elwes' idea, he thought it
 would give the character swashbuckling flair.
 During the scene between Westley and the Six-fingered
 Man, Cary Elwes told Christopher Guest to go on and hit
 him; Guest clocked him on the head so hard that Elwes had
 to go to the hospital.
 The shots of the Cliffs of Insanity are a mix of matte
 paintings and the actual location: the Cliffs of Moher in
 County Clare, Ireland.
 When he wrote the book, Goldman envisioned André the
 Giant in the role of Fezzik.
 you should probably go to TheMetaPicture.com
lolzandtrollz:Something You Probably Didn’t Know About The Princess Bride

lolzandtrollz:Something You Probably Didn’t Know About The Princess Bride

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...