Raised
Raised

Raised

Foreign
Foreign

Foreign

In A
In A

In A

About You
About You

About You

Gotta
Gotta

Gotta

Summed Up
Summed Up

Summed Up

Theyre
Theyre

Theyre

From
From

From

The
The

The

Not
Not

Not

🔥 | Latest

A Single: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: a-40k-author: The Judiciar. A Judiciar is not only a supernal swordsman, able to cut down foes with but a single blow of his brutal-looking executioner relic blade, but he has an all-new item of esoteric wargear – the tempormortis. You don’t need to be an expert in High Gothic to know that this means it’s something he can use to manipulate time and ensure the death of his quarry.   Now this is just straight up unfair for all other players Yep. Knowing gw they’ll use it to kill of all named xenos characters so they don’t have to make the buts for them and can free more space to making marines to wank off marines more We’re all just waiting for Cato Shitarius to kill the Necron bossbot and then become primarisGW is so fucking DUMB. And so are those specific Space Marine famboys that are complaining that their new shit looks ridiculous. BE HAPPY THAT YOU EVEN GET ANYTHING POSTER BOY. The only complaint by marine fans I’ve seen that actually has merit was about the “what the fuck is going on with assault intercessors” (Given usually “assault marines” have jump packs and these ones don’t (which I suppose also makes them useless for conversions))And I would like Cato to perrish Wait. THAT JUDICATOR IS A FUCKING ULTRAMARINE TOO. Of course it is FUCK YOU GW
A Single: feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

a-40k-author:

The Judiciar.

A Judiciar is not only a supernal swordsman, able to cut down foes with but a single blow of his brutal-looking executioner relic blade, but he has an all-new item of esoteric wargear – the tempormortis. You don’t need to be an expert in High Gothic to know that this means it’s something he can use to manipulate time and ensure the death of his quarry.  


Now this is just straight up unfair for all other players


Yep. Knowing gw they’ll use it to kill of all named xenos characters so they don’t have to make the buts for them and can free more space to making marines to wank off marines more


We’re all just waiting for Cato Shitarius to kill the Necron bossbot and then become primarisGW is so fucking DUMB. And so are those specific Space Marine famboys that are complaining that their new shit looks ridiculous. BE HAPPY THAT YOU EVEN GET ANYTHING POSTER BOY. 


The only complaint by marine fans I’ve seen that actually has merit was about the “what the fuck is going on with assault intercessors” (Given usually “assault marines” have jump packs and these ones don’t (which I suppose also makes them useless for conversions))And I would like Cato to perrish


Wait. THAT JUDICATOR IS A FUCKING ULTRAMARINE TOO. 


Of course it is


FUCK YOU GW

feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: a-40k-author: The Judiciar. A Judici...

A Single: laughoutloud-club: Not a single soul in sight.
A Single: laughoutloud-club:

Not a single soul in sight.

laughoutloud-club: Not a single soul in sight.

A Single: e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene Zuko: and Iroh: Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front: What takes the cake though is the following shot sequence: When it shows Iroh it zooms in from this: To this: While with Zuko it’s the exact reverse. It zooms out from this: To this: Say what you want but man Avatar had some amazing shot composition.  Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me. In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius. It just makes the parallels between Zuko and Aang so much more powerful in retrospect. They weren’t on parallel paths just because. They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage. And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights. I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story. And the twin blades? Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate. The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS. It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang? In conclusion: I am not ok and will never be ok. Thanks Avatar.
A Single: e-e-e-s:
dudeinpyjamas:


anadiableau:
Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will
I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this
Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene
Zuko:
and Iroh:
Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front:

What takes the cake though is the following shot sequence:
When it shows Iroh it zooms in from this:
To this:
While with Zuko it’s the exact reverse. It zooms out from this:
To this:
Say what you want but man Avatar had some amazing shot composition. 

Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me.



In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius.  It just makes the parallels between Zuko and Aang so much more powerful in retrospect.  They weren’t on parallel paths just because.  They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage.  And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights.  I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story.  
And the twin blades?  Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate.  The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS.  It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang?
In conclusion: I am not ok and will never be ok.  Thanks Avatar.

e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin...

A Single: 250 years of history in a single image
A Single: 250 years of history in a single image

250 years of history in a single image

A Single: aliminalplace: amazing-jase: prisonofteeth: Okay, but Marvin Heemeyer didn’t destroy his town. He specifically targeted buildings owned by corrupt politicians in his hometown, who over the course of nearly a decade, made it impossible for him to operate his muffler shop. Through a zoning dispute and some shady deals, the town trustees had placed a concrete plant directly in the plot of land he used to access his muffler shop, and then fined him for having "junk cars on the property and not being hooked up to the sewer line"“On June 4, 2004, Heemeyer drove his armored bulldozer through the wall of his former business, the concrete plant, the Town Hall, the office of the local newspaper that editorialized against him, the home of a former judge’s widow, and a hardware store owned by another man Heemeyer named in a lawsuit, as well as a few others. Owners of all of the buildings that were damaged had some connection to Heemeyer’s disputes”Marvin didn’t hurt anyone in his rampage. Witnesses recount how he went out of his way to make sure that no one was hurt. The only casualty was after he took his own life with a single gunshot after his bulldozer came to a halt.His story is a story of protest and revenge against a corrupt system that took advantage of him, prevented him from running his business, and wore him down until the bitter end. Marvin Heemeyer is a fucking hero. “Helpless Police” is such a healing phrase Off topic for this blog but Marvin Heemeyer is an American hero. Are you really gonna skip his awesome as fuck nickname?The KilldozerSounds like a great 90s horror movie
A Single: aliminalplace:
amazing-jase:

prisonofteeth:
Okay, but Marvin Heemeyer didn’t destroy his town. He specifically targeted buildings owned by corrupt politicians in his hometown, who over the course of nearly a decade, made it impossible for him to operate his muffler shop. Through a zoning dispute and some shady deals, the town trustees had placed a concrete plant directly in the plot of land he used to access his muffler shop, and then fined him for having "junk cars on the property and not being hooked up to the sewer line"“On June 4, 2004, Heemeyer drove his armored bulldozer through the wall of his former business, the concrete plant, the Town Hall, the office of the local newspaper that editorialized against him, the home of a former judge’s widow, and a hardware store owned by another man Heemeyer named in a lawsuit, as well as a few others. Owners of all of the buildings that were damaged had some connection to Heemeyer’s disputes”Marvin didn’t hurt anyone in his rampage. Witnesses recount how he went out of his way to make sure that no one was hurt. The only casualty was after he took his own life with a single gunshot after his bulldozer came to a halt.His story is a story of protest and revenge against a corrupt system that took advantage of him, prevented him from running his business, and wore him down until the bitter end. Marvin Heemeyer is a fucking hero.
“Helpless Police” is such a healing phrase



Off topic for this blog but Marvin Heemeyer is an American hero. 



Are you really gonna skip his awesome as fuck nickname?The KilldozerSounds like a great 90s horror movie

aliminalplace: amazing-jase: prisonofteeth: Okay, but Marvin Heemeyer didn’t destroy his town. He specifically targeted buildings owned...

A Single: rayethefox14524: g-blocking-antis: notice-me-cherry-pie: the-joker-hates-sjws: kaldicuct: jdbsmg-star: henryismywaifu: tinybookling: littleblackchat: lifeiscaulscott: semiauto14: daissychainss: dilfweed: jennaavh: madmints: takesabeating: cheshireinthemiddle: ginzers: spoopy-roxxi: ginzers: spoopy-roxxi: ginzers: Teach children that this is not ok Teach children that there’s nothing wrong with this I’m really not understanding why you think cultural appropriation would be ok, unless you are assuming that the girl in the picture is part Japanese. Yellow face yet she’s using white makeup in the traditional style but okay. Cultural appropriation isn’t a thing, hon. ☺️ Cultures should be shared by all means. I disagree. The makeup is clearly reflective of traditional Geisha makeup which is yellowface and therefore racist. Furthermore, the girl is wearing a kimono, a garment that has for ages carried cultural significance. Assuming that she is white how can you think this is ok? And cultural appropriation isn’t a thing? What rock do you live under? I suggest you educate yourself on the differences between cultural appreciation and cultural appropriation. I am japanese, in japan at this very moment. The only people who think culture shouldnt be shared are racists like you. A vast majority of Japanese people actually enjoy other people making an effort to spread and enjoy japanese culture, and encourage it. Many make businesses in deliberately taking pictures of people in kimono. A common omiage (gift) for foreigners from japanese people is traditional japanese things such as kimonos, tea seats, shisa dog statues, ect. And to top it off, basically 80 percent of japanese customs, traditions, and food, came from other countries. Japanese is an integration of different cultures, like america. Japan takes influences from places like korea, china, russia, and europe. If japan stuck to itself, there would be no tempura, japanese tea, tea ceremonies, kabuki, japanese bread, japanese curry, j- pop, anime, cars, or modern fishing techniques. The picture is not “yellow face” they are not making fun of asians. In fact, it looks like they put extra care and research into their work. The only reason that you have a problem with this is because that little girl is white and you know that it is acceptable on tumblr to crap all over white people. The only racist here is you. Rekt b t f o Dang she got shut down. Damn I’ve never hit reblog so fast in my entire fucking life Daaaaamn Pew pew pew I reblog this every time I see it I live in Japan and I’d like to back up this sentiment.  Recently a museum in Boston came under a lot of fire for allowing visitors to wear a ‘kimono’ (it was featuring a painting my Monet of a girl – a white girl – in a kimono, and the museum had replicas made that guests of ANY RACE could wear to mimic the painting, Pageant-of-the-Masters style). After protests and heated debate, the museum closed the event. I was living in Japan at the time, and out of all the *actual* Japanese people I asked, not a single one was offended by the event. Rather, they were excited that people half a world away were showing interest in their culture, and were sad that visitors could no longer enjoy the event. This party, though somewhat silly in application, is an attempt at experiencing and appreciating another culture. The mom who put this together is not an expert on Japan, but she did her best. She got a lot of things right: there are few things Japan loves more than tea, Pocky, and sakura.  Where do you draw the line for who is “allowed” to learn about Japan? If the girl were of Japanese descent, would that make it ok (even though her citizenship would be the same as the girl from the photo)? If one of the girl’s parents were from Japan, then would it be ok?  Are you only allowed to make pizza if you live in Italy? If you’re an Italian immigrant? How do we decide these things?? You can’t say you want to dismantle racism and then in the next breath make rules – based on race – for who people can wear, try, or eat, especially when the intent is obviously to have fun experiencing a culture (as opposed to having fun by making fun of a race or culture, like blackface does).  When you tell people they can only experience things ‘meant for their race’, it totally smacks of segregation to me and I can’t stand it. As someone who (obviously) loves Japan, I say let people learn about it, let people experience it, let people appreciate it. You don’t have to know every single thing about a culture to enjoy it. fucking people got owned is what, fuck i hate how people say you cant do shit when culture should be shared and is shared its how it grows and changes through fucking generations itS HOW YOU LEARN about the world and just fucking, tumblr fucking stupid like 70% of the dam time this new light Vintage post, sipping on it like fine wine. Always a fan of seeing this happen Have fun, not make fun of Same. I’m glad when people enjoy my culture, wear our traditional clothes and try our food recipes, as long as its respectful :) All people should try to learn other religions! I’m proud of this girl!
A Single: rayethefox14524:

g-blocking-antis:


notice-me-cherry-pie:


the-joker-hates-sjws:

kaldicuct:

jdbsmg-star:

henryismywaifu:

tinybookling:

littleblackchat:

lifeiscaulscott:

semiauto14:

daissychainss:

dilfweed:

jennaavh:

madmints:

takesabeating:

cheshireinthemiddle:

ginzers:

spoopy-roxxi:

ginzers:

spoopy-roxxi:

ginzers:

Teach children that this is not ok

Teach children that there’s nothing wrong with this

I’m really not understanding why you think cultural appropriation would be ok, unless you are assuming that the girl in the picture is part Japanese.

Yellow face yet she’s using white makeup in the traditional style but okay.
Cultural appropriation isn’t a thing, hon. ☺️ Cultures should be shared by all means.

I disagree. The makeup is clearly reflective of traditional Geisha makeup which is yellowface and therefore racist. Furthermore, the girl is wearing a kimono, a garment that has for ages carried cultural significance. Assuming that she is white how can you think this is ok? And cultural appropriation isn’t a thing? What rock do you live under? I suggest you educate yourself on the differences between cultural appreciation and cultural appropriation.

I am japanese, in japan at this very moment. The only people who think culture shouldnt be shared are racists like you. 
A vast majority of Japanese people actually enjoy other people making an effort to spread and enjoy japanese culture, and encourage it. Many make businesses in deliberately taking pictures of people in kimono. A common omiage (gift) for foreigners from japanese people is traditional japanese things such as kimonos, tea seats, shisa dog statues, ect. 
And to top it off, basically 80 percent of japanese customs, traditions, and food, came from other countries. Japanese is an integration of different cultures, like america. Japan takes influences from places like korea, china, russia, and europe. If japan stuck to itself, there would be no tempura, japanese tea, tea ceremonies, kabuki, japanese bread, japanese curry, j- pop, anime, cars, or modern fishing techniques. The picture is not “yellow face” they are not making fun of asians. In fact, it looks like they put extra care and research into their work. 
The only reason that you have a problem with this is because that little girl is white and you know that it is acceptable on tumblr to crap all over white people. The only racist here is you.

Rekt

b t f o

Dang she got shut down.

Damn I’ve never hit reblog so fast in my entire fucking life

Daaaaamn

Pew pew pew

I reblog this every time I see it

I live in Japan and I’d like to back up this sentiment. 
Recently a museum in Boston came under a lot of fire for allowing visitors to wear a ‘kimono’ (it was featuring a painting my Monet of a girl – a white girl – in a kimono, and the museum had replicas made that guests of ANY RACE could wear to mimic the painting, Pageant-of-the-Masters style). After protests and heated debate, the museum closed the event.
I was living in Japan at the time, and out of all the *actual* Japanese people I asked, not a single one was offended by the event. Rather, they were excited that people half a world away were showing interest in their culture, and were sad that visitors could no longer enjoy the event.
This party, though somewhat silly in application, is an attempt at experiencing and appreciating another culture. The mom who put this together is not an expert on Japan, but she did her best. She got a lot of things right: there are few things Japan loves more than tea, Pocky, and sakura. 
Where do you draw the line for who is “allowed” to learn about Japan? If the girl were of Japanese descent, would that make it ok (even though her citizenship would be the same as the girl from the photo)? If one of the girl’s parents were from Japan, then would it be ok? 
Are you only allowed to make pizza if you live in Italy? If you’re an Italian immigrant? How do we decide these things??
You can’t say you want to dismantle racism and then in the next breath make rules – based on race – for who people can wear, try, or eat, especially when the intent is obviously to have fun experiencing a culture (as opposed to having fun by making fun of a race or culture, like blackface does). 
When you tell people they can only experience things ‘meant for their race’, it totally smacks of segregation to me and I can’t stand it. As someone who (obviously) loves Japan, I say let people learn about it, let people experience it, let people appreciate it. You don’t have to know every single thing about a culture to enjoy it.



fucking people got owned is what, fuck i hate how people say you cant do shit when culture should be shared and is shared its how it grows and changes through fucking generations itS HOW YOU LEARN about the world and just fucking, tumblr fucking stupid like 70% of the dam time

this new light

Vintage post, sipping on it like fine wine.

Always a fan of seeing this happen



Have fun, not make fun of



Same. I’m glad when people enjoy my culture, wear our traditional clothes and try our food recipes, as long as its respectful :)



All people should try to learn other religions! I’m proud of this girl!

rayethefox14524: g-blocking-antis: notice-me-cherry-pie: the-joker-hates-sjws: kaldicuct: jdbsmg-star: henryismywaifu: tinybookl...

A Single: A single compliment can change someone’s life
A Single: A single compliment can change someone’s life

A single compliment can change someone’s life

A Single: 2020 Captured in a Single Video Clip
A Single: 2020 Captured in a Single Video Clip

2020 Captured in a Single Video Clip

A Single: 2020 Captured in a Single Video Clip
A Single: 2020 Captured in a Single Video Clip

2020 Captured in a Single Video Clip

A Single: omgcheckplease: ★ Notes on Year 4, Comic 26 - Check, Please ★In the summer of 2013, I was fully mourning my completed time as an undergraduate at Yale. One of the college’s traditional songs—which they strategically have students sing during their first weeks as Yalies and then again at the moment we’re conferred our degrees—goes like this:Bright College years, with pleasure rife,The shortest, gladdest years of life;How swiftly are ye gliding by!Oh, why doth time so quickly fly?Et cetera. The first time you sing it, you mumble the words and don’t know a single person around you. The last time you sing it, wearing the mortarboard and gown, you’ve got the lyrics memorized and you’re surrounded by some of the most important people in your life.That summer, with “How bright will seem, through mem’ry’s haze/ Those happy, golden, bygone days!” still ringing in my ears, I started CHECK, PLEASE. The comic’s first panels emerged on an ancient laptop, through a borrowed bamboo tablet, and on a free drawing program called gnu-IMPShop. I had no plan. I wanted to explore my newfound fascination with hockey and share silly cartoons on Tumblr. But unconsciously, I also wanted to pour the nostalgia of those bright college years into the Haus, Faber, Samwell, and Bitty’s story. I wanted to bottle up those moments where we grow and change and fall down and pick ourselves back up. Drawing CHECK, PLEASE was how I revisited those experiences and how I sifted through the bittersweet feeling of concluding something I loved. Perhaps this is why finishing CHECK, PLEASE calls back those same emotions. Just as Bitty would bake affection into a pie, I might have encoded into CHECK, PLEASE the heartfelt fondness I had for my time in college, the love of the friends I made there, and the gratitude I have for my own growth.I have always found it easier to express gratitude face to face. And even though I would not have gotten to meet all of you, the greatest downside of being unable to participate in a book tour is that I can’t say thanks in person. I could write a thousand words, yet they couldn’t replace a high five at a bookstore signing or a handshake at a convention. I could write the blog post to end all blog posts, but it’s not the same as yelling with you about an episode or chatting about a fandom we both happen be in. For me, it’s those moments that somehow equate to my abundant appreciation for you, the reader.I look forward to the day when I can let my actions speak louder than my words!In the meantime: thank you. I am incredibly blessed to get to create a story and then share it. This is all I want to do in life. These characters get to have a readership overflowing with love and enthusiasm for them. This comic, somehow, has found ambassadors. This story gets to be told. Thank you! I’m excited to share with you the unusual, fun, and hopeful narratives I’m working hard to develop.So with that, I’ll sign off on the last blog post! Thank you for reading this comic. Thank you for sharing it with friends. Thank you for caring about Bitty’s story and CHECK, PLEASE.Thank you!John J. Johnson.Just kidding, it’s Ngozi. :^) Tee hee. Bye now!
A Single: omgcheckplease:

★ Notes on Year 4, Comic 26 - Check, Please ★In the summer of 2013, I was fully mourning my completed time as an undergraduate at Yale. One of the college’s traditional songs—which they strategically have students sing during their first weeks as Yalies and then again at the moment we’re conferred our degrees—goes like this:Bright College years, with pleasure rife,The shortest, gladdest years of life;How swiftly are ye gliding by!Oh, why doth time so quickly fly?Et cetera. The first time you sing it, you mumble the words and don’t know a single person around you. The last time you sing it, wearing the mortarboard and gown, you’ve got the lyrics memorized and you’re surrounded by some of the most important people in your life.That summer, with “How bright will seem, through mem’ry’s haze/ Those happy, golden, bygone days!” still ringing in my ears, I started CHECK, PLEASE. The comic’s first panels emerged on an ancient laptop, through a borrowed bamboo tablet, and on a free drawing program called gnu-IMPShop. I had no plan. I wanted to explore my newfound fascination with hockey and share silly cartoons on Tumblr. But unconsciously, I also wanted to pour the nostalgia of those bright college years into the Haus, Faber, Samwell, and Bitty’s story. I wanted to bottle up those moments where we grow and change and fall down and pick ourselves back up. Drawing CHECK, PLEASE was how I revisited those experiences and how I sifted through the bittersweet feeling of concluding something I loved. Perhaps this is why finishing CHECK, PLEASE calls back those same emotions. Just as Bitty would bake affection into a pie, I might have encoded into CHECK, PLEASE the heartfelt fondness I had for my time in college, the love of the friends I made there, and the gratitude I have for my own growth.I have always found it easier to express gratitude face to face. And even though I would not have gotten to meet all of you, the greatest downside of being unable to participate in a book tour is that I can’t say thanks in person. I could write a thousand words, yet they couldn’t replace a high five at a bookstore signing or a handshake at a convention. I could write the blog post to end all blog posts, but it’s not the same as yelling with you about an episode or chatting about a fandom we both happen be in. For me, it’s those moments that somehow equate to my abundant appreciation for you, the reader.I look forward to the day when I can let my actions speak louder than my words!In the meantime: thank you. I am incredibly blessed to get to create a story and then share it. This is all I want to do in life. These characters get to have a readership overflowing with love and enthusiasm for them. This comic, somehow, has found ambassadors. This story gets to be told. Thank you! I’m excited to share with you the unusual, fun, and hopeful narratives I’m working hard to develop.So with that, I’ll sign off on the last blog post! Thank you for reading this comic. Thank you for sharing it with friends. Thank you for caring about Bitty’s story and CHECK, PLEASE.Thank you!John J. Johnson.Just kidding, it’s Ngozi. :^) Tee hee. Bye now!

omgcheckplease: ★ Notes on Year 4, Comic 26 - Check, Please ★In the summer of 2013, I was fully mourning my completed time as an undergr...

A Single: There’s a bathroom in my parent’s house that is lit by a single window and this is what happens every day.
A Single: There’s a bathroom in my parent’s house that is lit by a single window and this is what happens every day.

There’s a bathroom in my parent’s house that is lit by a single window and this is what happens every day.

A Single: There’s a bathroom in my parent’s house that is lit by a single window and this is what happens every day.
A Single: There’s a bathroom in my parent’s house that is lit by a single window and this is what happens every day.

There’s a bathroom in my parent’s house that is lit by a single window and this is what happens every day.

A Single: how can a single person contain so much talent
A Single: how can a single person contain so much talent

how can a single person contain so much talent

A Single: how can a single person contain so much talent
A Single: how can a single person contain so much talent

how can a single person contain so much talent

A Single: Not even a single chicken in sight
A Single: Not even a single chicken in sight

Not even a single chicken in sight